In Roald Dahl’s glittering body of work Esio Trot is something of an anomaly.
For a start, it is tiny; for another, it relegates children to the background,
centring on two elderly protagonists. If you think of Grandma in George’s Marvellous Medicine and Trunhbull
in Matilda, much of Dahl’s stories
are about lampooning adults and criticising their supposed wisdom; but in this
tall tale he goes against type, and instead of creating a carnival of
grotesqueries draws a naturalist portrait of love – albeit one that
features tortoises.
Being familiar with the novella from
childhood, I was struck by how beautiful the TV adaptation was. Dahl’s Esio Trot is a lovely yarn but weighing
in at 62 pages it is as flimsy as the book’s tortoise. In creating a ninety-minute
film, Vicar of Dibley co-writers
Richard Curtis and Paul Mayhew-Archer have stayed loyal to the source material
whilst imbuing in it greater heft and emotional depth.
The adaptation starts with the narrator
James Corden addressing the flirtation between two tortoises:
I
don’t know about you but to me there’s something a bit funny about tortoises.
The way even the teenagers are wrinkly. I bet that leads to some awkward
moments.
“Oh Brian, I love you so much. How old are
you?”
“I’m
17. How old are you Janet?”
“I’m
86.”
“Goodness
me, you’re old enough to be my Grandmother.”
“Yes,
actually Brian. I AM your Grandmother.”
![]() |
James Corden, a marmite personality. By that I mean I would have him on toast but not in a sandwich. |
These narrative interludes are wonderful
additions to Dahl’s book, as Corden’s puppy-dog enthusiasm helps sell a story
that may otherwise appear too off-kilter for viewer empathy. And what a story! This is a story of love. Perhaps the greatest
love story ever told. Mr Hoppy (Dustin Hoffman), you see, lives in a flat. He
is kind, shy and loves Jazz. Below him lives Mrs Silver (Judi Dench). Mrs
Silver is widowed and has a laugh perhaps more inviting, perhaps more sonorous
than Louis Armstrong himself.
Mr Hoppy has a secret. He loves Mrs Silver
and wishes he could find a way of telling her. As far as he’s concerned though,
Mrs Silver has eyes for just one man. Alfie. Her tortoise. Mrs Silver has a problem though: Alfie is
infinitesimal. I mean, tiny. For a boy already with a shell on his back, being small is just another weight to bear. How can he walk tall when he isn’t? If only there
was some way he could grow big? The delightful Mrs Silver would give anything for this to
happen. Fortunately, Hoppy steps forward to be the corduroy Genie of the
lamp. He informs Mrs Silver that all she has to do is read some profound
nonsense three times everyday for a month and then abracadabra her
wish will be realised.
ESIO TROT, ESIO TROT,
TEG REGGIB REGGIB!
EMOC NO, ESIO TROT,
WORG PU, FFUP PU, TOOHS PU!
GNIRPS PU, WOLB PU, LLEWS PU!
EGROG! ELZZUG! FFUTS! PLUG!
TUP NO TAF, ESIO TROT, TUP NO TAF!
TEG NO, TEG NO, ELBBOG DOOF!
TEG REGGIB REGGIB!
EMOC NO, ESIO TROT,
WORG PU, FFUP PU, TOOHS PU!
GNIRPS PU, WOLB PU, LLEWS PU!
EGROG! ELZZUG! FFUTS! PLUG!
TUP NO TAF, ESIO TROT, TUP NO TAF!
TEG NO, TEG NO, ELBBOG DOOF!
![]() |
Dame Judi talking to a tortoise. |
Unfortunately, Hoppy hasn’t thought through
this promise. How can he guarantee a tortoise will double its weight in a
month? What use a silver tongue if it can’t deliver him the heart of Mrs
Silver? As our narrator tells us, “For the first time ever the happiness of two
human beings rested entirely on the possibility of a small tortoise becoming a
bigger tortoise.”
Fear not. Love can make an Einstein out of an
idiot; Hercules out of a rake; and love - in the case of Hoppy – can make a
daredevil out of a scaredy-cat. Hoppy’s plan is to go cash-and-carry on the
operation, buying tortoises of different size in bulk. Each day he replaces the
tortoise with a slightly bigger one, giving off the illusion that Alfie is
increasing in weight. Mrs Silver is none the wiser. This venture, however, isn't without costs - quite literally. All of Mr Hoppy's savings are invested into winning Silver's heart, a fact
beautifully illustrated in a series of sight gags. Further, the
trouble with this ingenious scheme is that it means his former life of order is transformed into a cluttered nightmare of chaos. Hoffman, who
could shilly-shally for America, is brilliant as the put-upon bachelor trying
to keep disorder under control.
![]() |
Another example of over-crowding in London. |
What makes the adaptation more enriching
than the book are the sub-plots added to it. Dahl in his version makes the path
to true love run smooth, but the writers here add dramatic obstacles that have
us fearing the worst. Mr Pringle does not appear in the source material, but
here the oaf is all too present, keeping the lovers from sealing their
fate. Whilst Hoppy struggles to express his feelings, Pringle is all to ready
to give his tuppenceworth. I hated every fibre of his being. The antipathy I held
him in is a testament to Richard Cordery, who through his portrayal shows another, less dignified, side to loneliness.
Esio
Trot was very much my pick of Christmas TV. It is beautifully written, performed and directed. It made my tummy go whoosh and my heart go boom. If you
missed it, my advice would be to make a resolution and watch it.
Esio Trot is available on BBC iPlayer now.
Esio Trot is available on BBC iPlayer now.
No comments:
Post a Comment